Goldfinches
are flocking to the new finch feeder in my garden daily prompting me to
contemplate their nickname, their current presence in my life and their
connection to Donna Tartt’s 2014 Pulitzer Prize-winning novel, The Goldfinch, centering on the 1654 Dutch
painting by Carel Fabritius, originally titled Het Puttertje.
According to Wikipedia, source of all true
knowledge in the world, goldfinches were popular pets in the 17th century
because they could be trained to draw water from a bowl with a miniature bucket
or thimble-sized cup. The Dutch title of the painting refers to the bird's
nickname, puttertje, literally “little weller,” derived from the verb putten, “to draw water from a well.”
It seems to me that it is what
Donna Tartt didn’t put into writing that garnered the Pulitzer Prize rather
than what she did. Like the pet songbirds drawing up their own water, it is up
to the reader to draw up the meaning in the book just as it is up to us to draw
up the meaning in our daily lives.
Last
year, when The Goldfinch was a monthly
selection for our book club, opinion varied greatly, from “It was too long,” (that’s
it – the reader’s entire statement of insight and opinion after reading its 771
pages), to an iconoclastic and symbolic metaphysical interpretation of its
numinous view of life, art and the universe.
In
the book, Tartt explains the significance of Fabritius’ contribution to painting.
His revolutionary style represented a transition from his master, Rembrandt, to
his pupil, Johannes Vermeer, who further improved the
skill of painting shadows. I still thrill at the memory of reading her description
of how a close examination of The
Goldfinch painting reveals the transfomation of the artist’s brush strokes
into a living bird’s feathers. The artist is literally creating life, bringing
it into form out of the void, out of nothing, just as we do. Tartt draws a
parallel between the artist’s interaction with the painting during the creative
process and the viewer’s interaction with the completed work of art centuries
later. Both include an encounter with the numinous as the painting and the
viewing come into form. So too with our lives. All involve drawing from the
well.
The painting itself depicts a small goldfinch
secured to a perch on its feed box by a fine chain, a metaphor for the myriad
ways the book’s characters chain themselves to their grief, their loss, their
addictions, their trauma, their relationships, their possessions, their money,
their thoughts, their beliefs… The author’s unwritten invitation to the reader
is to examine their own life to determine how and to what they have chained themselves,
opening up an opportunity for self-redemption.
More than a year after reading the book, I find it
still speaking to me as goldfinches frequent my garden. Why? Hmmmm…..
The finch feeder is a new addition to my garden
this year. After looking at all the different makes and models at Lowe’s, Home
Depot and Wal*Mart, I was attracted to one with a black metal mesh column to
hold the nyjer, or thistle, seed. It has a yellow lid and tray, which doubles
as a perch and a catch for seed husks. The directions advised patience as it
might take some time for finches to find the feeder. They have. It’s not
unusual to see several clinging to it at a time. AHA! After several weeks of
welcoming mostly goldfinches, I finally realized the feeder is the same colors
they are. OH!
Only after several weeks more did I understand the
connection between my wild goldfinch neighbors in the bosque (river forest) and me. Two months ago, I completed writing
the narrative of !Ultreya! A Caregiver’s
Journey, a book about the spiritual transformation my son Grant and I experienced while facing his life-threatening illness and death, but I could not
bring myself to work on and finish the minimal rewriting and editing that
remain. Instead, I have been doing a lot of emotional healing and forgiveness
work through acupuncture, therapeutic massage, a twelve-step writing group and
Family Constellation work.
Recently I realized that, subconsciously, I felt finishing
the book would be like losing Grant again. Two wise friends helped me reframe
this chaining thought. One said, “Grant will live on through the book and its
readers.” Another said, “Terranda, you are going to lose Grant over and over
again.” When I recognized the truth in what they both said, I unchained myself
from the perch and set myself free to write. Two nature poems, one about Canada
Geese, and one about the finch feeder, came through me, appropriately, on
Mother’s Day. Gifts from Grant.
Next I realized the goldfinches
in my garden were unchained – wild and free – coming and going at will. I
accept their symbolic meaning for me. As I do my own inner healing work and
attend to my spiritual growth, I am freeing myself from chains that bind me.
Recently I realized that, subconsciously, I felt finishing the book would be like losing Grant again. Two wise friends helped me reframe this chaining thought. One said, “Grant will live on through the book and its readers.” Another said, “Terranda, you are going to lose Grant over and over again.” When I recognized the truth in what they both said, I unchained myself from the perch and set myself free to write. Two nature poems, one about Canada Geese, and one about the finch feeder, came through me, appropriately, on Mother’s Day. Gifts from Grant.